)Grafton doesn’t spill much ink on the contributions of women either—a disappointing choice given how much more we now know about the role of women in print shops. 2002 Balzan Prizewinner. Read "Inky Fingers The Making of Books in Early Modern Europe" by Anthony Grafton available from Rakuten Kobo. The print version of this textbook is ISBN: 9780674237179, 067423717X. “After the paper is put on top of the writing, you have to sketch the writing, as it is in the manuscript, with pen and ink,” wrote one of Mabillon’s associates in a request for a copy, with an added warning to make sure the paper was properly stretched. (Those looking for a more accessible introduction to book history of this period should start with Sarah Werner’s Studying Early Printed Books 1450-1800: A Practical Guide. When the text suggests “beef pericardium” (the membrane of a cow’s heart) as the base material for tracing paper, a note below it in a different hand begs to differ: “completely useless!”. Black Stone Bookstore and Cultural Center, in Ypsilanti, Michigain, is Book Post’s current partner bookstore. Book Post is a by-subscription book review service, bringing book reviews by distinguished and engaging writers direct to your in-box. Post su anthony grafton scritto da anna albano. At the National Book Foundation and the Mellon Foundation Lucas and Alexander have been looking more deeply—not just at how and to whom we market books, but how we broaden readership itself, how we create a culture of reading to which more and more people can feel connected. He is a regular contributor to The New York Review of Books and the author of, most recently, Inky Fingers: The Making of Books in Early Modern Europe.He is a member of the Lapham’s Quarterly editorial board. This site uses cookies. Learn more. A video of the event is now available here. This idealized portrayal of the early modern academic is upended in Anthony Grafton’s Inky Fingers, which reveals the messy, painstaking, and even back-breaking work behind the period’s greatest intellectual innovations. To erase urban contexts, correspondence networks, financial burdens, and other human factors from the early modern narrative, Grafton shows us, is to distort how new ideas―both famous and obscure―came into being. With it, Grafton upends idealized understandings of early modern scholarship and blurs distinctions between the physical and mental labor that made the remarkable works of this period possible. Such interlinear notes were not without their snark. Grafton’s bibliophilic odyssey takes readers from the Vatican Library, to a fledgling German settlement in Pennsylvania, across the pond to Lambeth Palace in London, and inside some of the busiest print shops of Italy and Northern Europe. Many observers have noted that readers are lulled by the durability of a few big national players into thinking all is well in journalism: a 2019 Pew Research Center study found that 71 percent of people surveyed believed their local media were doing just fine. Anthony Thomas Grafton. Thank you for your subscription! The project first appeared as a dedicated issue of the Times magazine, with an accompanying podcast and curriculum, and won its prime mover, journalist Nikole Hannah-Jones, a Pulitzer Prize. Inky Fingers ranges widely, tracing the transformation of humanistic approaches to texts in the seventeenth and eighteenth centuries and examining the simultaneously sustaining and constraining effects of theological polemics on sixteenth-century scholars. Please, have been digitized and made available online by the University of Pennsylvania, Studying Early Printed Books 1450-1800: A Practical Guide, Grossly Material Things: Women and Book production in Early Modern England, Five Hundred Years of Women’s Work: The Lisa Unger Baskin Collection, Ghosting the News: Local Journalism and the Crisis of American Democracy, the durability of a few big national players, a collaboration with the Mellon Foundation, Black Stone Bookstore and Cultural Center. Click the link we sent to , or click here to log in. As you may have guessed, Inky Fingers is not a work of popular history: it assumes familiarity with academic scholarship on early modern intellectual history and history of the book. The Annual Balzan Lecture, vol. The report observes that a publishing advance is not a fee—it’s a projection of a book’s earnings, but also an expression of a publishers’ commitment to getting the book into readers’ hands. Some of the eye-stinging, at least, came from Renaissance humanism’s project of deciphering and recovering classical texts from ancient manuscripts. The Culture of Correction in Renaissance Europe è un libro di Anthony T. Grafton pubblicato da Olschki nella collana The Annual Balzan Lecture: acquista su IBS a 14.25€! It was not always so, as Anthony Grafton makes clear in “Inky Fingers: The Making of … Inky Fingers ranges widely, tracing the transformation of humanistic approaches to texts in the seventeenth and eighteenth centuries and examining the simultaneously sustaining and constraining effects of theological polemics on sixteenth-century scholars. In this celebration of bookmaking in all its messy and intricate detail, the author and renowned historian invites readers to see the scholars of early modern Europe as diligent workers. Inbunden, 2020. Professor Grafton was welcomed by Michael Thompson, Library Society Chair, and Elizabeth Frengel, Curator of Rare Books. “ Inky Fingers directs our attention to the inky realities of book production and the messiness of everyday life. Inky Fingers: The Making of Books in Early Modern Europe di Grafton, Anthony su AbeBooks.it - ISBN 10: 067423717X - ISBN 13: 9780674237179 - Belknap Pr - 2020 - Rilegato The Culture of Correction in Renaissance Europe", given by Anthony Grafton, 2002 Balzan Prizewinner for the History of the Humanities, at ETH Zurich on 10 December 2010. qui sotto traduco velocemente un paio di passi da un bell’articolo del “lapham’s quarterly”, un estratto dal venturo inky fingers di anthony grafton. Heres’s where the real work of nourishing ideas is happening, not in the finger-waving and stand-taking, seems to us. Grafton illuminates the physical and mental labors that fostered the golden age of the book and shows how the exertions of scholars shaped influential books, treatises, and forgeries. ): c’è stato un tempo in cui in editoria questo ruolo ne accorpava molti altri, compreso quello che adesso chiamiamo content writer. ISBN: 9788822261274. Engaging both intellectual history and the history of the book as an object, Grafton’s ambitious work traces the labor of printers, proofreaders, compilers, translators, and historians to tell the story of early modern knowledge production. Even the familiar dream of retiring to a cabin to write a book seems like nothing so much as a vacation. Said Lucas, “The literary arts field is one of the most underfunded in culture and therefore especially vulnerable.” (For another take on gatekeepers and power, the pan-African magazine African Arguments talked this week with the nominees for the influential Caine Prize of Africa literature.). As a subscriber you can read our full archive at bookpostusa.com. Coming soon: Mona Simpson on Jenny Offill, Ian Frazier on lists. To erase urban contexts, correspondence networks, financial burdens, and other human factors from the early modern narrative, Grafton shows us, is to distort how new ideas―both famous and obscure―came into being. We support independent bookselling by linking to independent bookstores and bringing you news of local book life as it happens in their aisles. His left hand, adorned with four jeweled rings, rests on his working manuscript. Nevertheless, Inky Fingers offers a panoramic view of labor and knowledge-making between 1500 and 1800. a colori. Inky Fingers The Making of Books in Early Modern Europe by Anthony Grafton and Publisher Harvard University Press. The project, by design, had inspired robust debate, some illuminating, some mean-spirited. Pastorius’s efforts culminated in an immense notebook referred to as the Bee-Hive, which contains poetry, proverbs, recipes, theological citations, and his thoughts on religious and political matters linked by verbal associations decipherable only to true polyglots. Casa Editrice: Olschki Editore Anno: 2011 N. Pagine: 86 Formato: 17x24 Anthony Grafton spiega come nella «Repubblica delle lettere» europea del Cinque-Seicento quella della correzione dei testi fosse un’attività che impegnava i migliori ingegni del tempo tanto nella … A famous portrait of Desiderius Erasmus by Hans Holbein hangs in the Richelieu wing of the Louvre. Grafton reserves an entire chapter for Francis Daniel Pastorius’s “magnificently weird” practices of storing and indexing his commonplace excerpts in labyrinthine ways that depended on multilingual wordplay. Please help us spread the word about Book Post: your subscriptions keep us going, supporting writers and books and reading across America. 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